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BIG STORY

Book Preview: Making Movies The Nollywood Way By Seun Oloketuyi

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  • Affidavit of Greatness: Nigerian filmmakers surrender “trade secrets”

Previewed By: Femi Akintunde-Johnson

Title of Book: Making Movies The Nollywood Way

Genre: Nonfiction/Mini Autobiographies

Type: Coffee-table book

Published: 07 September, 2023

Pages: 117 (Content only)

 

THIS book is not for cynics who disdain the promises of humble beginnings; nor is it for self-conceited revisionists who associate mediocrity with any home-groomed artistic expression.

A student of life, a fan of our movies, or an enthusiast of business potential desirous of understanding the chaotic complexities of producing and promoting films in Nigeria will be enormously excited about the book. And young professionals who are not immune to learning and unlearning the brasstacks and peculiarities of Nigerian filmic anthropology will certainly have a go-to companion in ‘Making Movies the Nollywood Way’.

The book is colourfully arranged, peppered with action pictures and portraits of each entry subject. Spatially designed in the manner of attractive coffee-table books, ‘Making Movies the Nollywood Way’ is a collection of the thoughts, styles, production etiquettes, and some sort of “trade secrets” of 21 delicately selected ‘caucus’ of Nigeria’s better known and highly regarded filmmakers.

Smartly compiled by media entrepreneur and budgeoning filmmaker, Olúwaṣeun Oloketuyi, the 117-page book devotes between four and ten pages to 11 veterans of this immensely challenging and technically exhausting profession, namely: Ọpa Williams, Wale Adenuga, Tade Ogidan, Zeb Ejiro, Emem Isong, Zik-Zulu Okafor, Fidelis Duker, Okey Ogunjiofor, Lancelot Imasuen, and a pair of younger veterans: Simi Opeoluwa and Obi Emelonye.

The other set of entries are some of the most exciting and riveting operatives who have matured behind the camera, and delivered outlandishly beyond their numerical experience within the last 10 to 20 years of the Nollywood phenomenon. These are the final ten ‘technocrats’: Tope Oshin, Biodun Stephen, Robert Peters, Biodun Jimoh, Ayo Makun, Ibrahim Yekini, Okey Onu, Yemi Morafa, Rogers Ofime, and Ali Nuhu (old hand in acting).

A little more on our classification of ‘veteranship’ and the latter generation. Some of the eleven individuals tagged as veterans made forays into the make-believe world even before the “epochal” 1992 that the industry has grown to settle on as the launch date of Nigeria’s Nollywood, while the rest flowered within the first decade of Nollywood.

Back to the book: all the contributors to this documentary of Nollywood’s how-to-do survival kit delivered their responses in their own words – some colourful, few business-like or plaintive, and a couple just a little hastily – as they were given similar eight questions to field. The eight parameters that highlight the uniformity of experiences in some cases, and diversities of operations in others, are as follows: Background. First film. The filming process. Filmmaking in Nigeria. Nollywood timing. Funding and budgeting. Location scouting and other challenges. Key ingredients for success and marketability of films in Nollywood. A day on set.

Let us quickly note this heartwarming point before we turn off the road: fidelity to interviewees’ statements have often been the albatross on the necks of books that seek to aggregate verbatim the thoughts of sundry people in a one-off historical document. In ‘Making Movies the Nollywood Way’, reading is not only bumpy-less, you’re easily transported to the world each filmmaker chooses to unveil – a testament to editorial astuteness.

The reader would be thoroughly entertained and informed with some of the filmmakers who bent backwards to reveal the nuances of how they overcame some atrocious challenges and man-made obstacles erected against the creative expression in a land desirous of great works of art but at loggerheads with its critical process. Some of the filmmakers are thorough as they take us through the tortuous paths of film making in Nigeria, like Fidelis Duker (page 75); and one other in more expressive story of self discovery amidst horrific impediments is rendered effusively by Okey Ogunjiofor (pps 93-94).

To underscore the quantum leap the industry has witnessed in the last 30 years is to read the statements of these filmmakers who now consider ₦10m spend as a low-budget project – a sum hitherto seen as a robust outlay for a local blockbuster. Nowadays, according to the filmmakers, fairly big-budget films are not merely imagined, but spoken of as an astonishing modern reality in our clime… and guess the starting cost – ₦100m!

Many speak fairly confidently of achieving returns on investment without a glint of anxiety on account of the quality of their works, the delicate understanding of the taste and tendencies of movie watchers, and the numerous platforms now available to exhibit their talents and business acumen. Of course, it is yet another reminder of how Nigerian politicians have squandered our potential, and trifled with our macro economy, throughout the past three decades.

One of the drawbacks of this interesting book is the limited number of female filmmakers – only three featured out of 21 – especially when you imagine what could have been even more engaging, considering the quality of submissions by Isong, Oshin and Stephen, which are quite educative, and inspirational in the context of their glass-ceiling breaking efforts in an industry subconsciously patrilineal.

Another distraction is the numerous quotes that emblazon the first page of each filmmaker’s submission. Curiously, the multiple quotes have multiple captions as íf the readers are likely to forget that the same person made all the quotes if we are not reminded ‘numerously’ – some as many as 15 or 19 times! A better way to go is what was mistakenly done (apparently) with Opeoluwa’s chapter (page 105)… Of course, it is thereafter soiled with multiple tags of “lessons” under multiple quotes!

To those who may wonder why only 21 people were selected in a field teeming with hundreds of talented and remarkable individuals – one can only vouch a proxy defence here – the answer is pretty simple: in matters creative, the shorter, the better. And in any case, this book can serve as the first of a series – as other volumes can have more entries and even more parameters of engagement. One thing is certain though, in spite of the universality of their challenges and the Nigerian experience: their individual expressions, attitudes, idiosyncrasies, beliefs and reactions make the compilation a treasure-trove of unimaginable contribution to understanding and immortalising the critical underpinnings of Nollywood.

Furthermore, those distractions pale into insignificance, or petty nitpicking, when we consider the overarching impact of this coffee-table page turner. As one who has passed this stage a number of times, and has a fair idea of how the Nollywood evolved, one can easily hazard that if you wish to leave a copy of ‘Making Movies the Nollywood Way’ as an attractive exhibition in your cute reception area, be prepared to buy in bulk. The book will not only grow on you, it will go off with your visitors… inadvertently!

 

(Akintunde-Johnson is the author of Reflections: Anthology of Thoughts on Nigerian Movie Industry; Fame: Untold Stories of its Rise & Fall, and other books)

 

BIG STORY

Coup Plotters Marked Me For Arrest, Assassination —- Defence Minister

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The Minister of Defence, Gen. Christopher Musa (retd.), on Sunday disclosed that he was among the intended targets of the recently foiled coup plot against President Bola Tinubu, revealing that the conspirators planned to arrest or shoot him if he resisted.

Musa made the disclosure while speaking as a guest on Politics Today, a Channels Television programme, where he also described the suspects behind the plot as “a bunch of very unserious individuals.”

While admitting that he played a key role in helping security agencies nip the plot in the bud, the former Chief of Defence Staff said he was personally marked for arrest by the plotters.

“I was also a target, I am sure you know. I was supposed to be arrested, and if I refused, I was supposed to be shot,” he said.

“But that’s the job. Anybody who goes into a coup zeroes his mind because he knows if he succeeds, good.

If he doesn’t succeed, whatever consequences come, you are ready for it.”

Musa dismissed the capacity of the suspects to successfully challenge the Nigerian state, saying their actions showed a complete misunderstanding of Nigeria’s democratic history and the strength of its armed forces.

“But again, I think these guys were just a bunch of very unserious individuals that I really don’t know. If you look at the calibre of the individuals, I really don’t know what got into their heads to think that they could take on the armed forces like that,” he said.

He added that even without the intervention of the military, Nigerians would have resisted any attempt to overthrow a democratically elected government.

“What I even said was that even Nigerians would have fought them. Even without the armed forces, Nigerians would have stood against them. Remember how Nigerians fought against the military rule for quite some time. And that’s why Mr. President has always been one of them.

“So now, for them to think they could just wake up one morning and do that in Nigeria, I think something went wrong in there. They need to reset their brains.”

Speaking on the arrests made so far, the Defence Minister said most of those involved had been apprehended, with only “maybe one or two” still at large.

“So far, most of them have been caught. If there’s anyone, maybe one or two. It just started from the colonel himself, who felt disgruntled because he was not promoted. He didn’t meet the marks to be promoted,” he said.

Musa explained that the plot was driven largely by personal grievances, noting that the armed forces’ promotion system is strict and merit-based.

“You know that the armed forces is really very strict about its promotions system. But he didn’t make it. So what he decided to do was probably go around, look at other people that had one issue or the other…with the aim of bringing them in,” he said.

Expressing concern for junior officers allegedly drawn into the plot, Musa said, “My pain is all those young officers who didn’t understand what was going on that he put in this mess. Now they have to face the consequences.

“So everything evolves around him as an individual. But he was just a colonel. I can’t even imagine a colonel ever thinking of doing such a thing.”

The Defence Minister stressed that executing a coup in modern-day Nigeria was virtually impossible, unlike in the past.

“That was in the past. That was Nigeria of yesteryears. It’s impossible,” he said, adding that security agencies relied on verified facts, not speculation, before acting.

“If there’s a situation where you hear that somebody is trying to do something and you walk in, what facts do you have because you are going to go to the courts? If you can’t present it in the courts, then they throw you away. And then you look stupid.”

He said the investigation was thorough and collaborative, involving multiple intelligence agencies to avoid indicting innocent officers.

“Since I was there, I was the one who inaugurated the board. I made sure the board started. We sent them to DIA to do a thorough investigation along with the NIA, DSS, and every other person. So it’s a holistic investigation that was carried out because we didn’t want any innocent person to be indicted,” Musa said.

He dismissed claims that the plot was driven by dissatisfaction with the current administration, insisting it predated Tinubu’s inauguration.

“These things were planned even right before the president took office. So it was a plan they had ahead of him since they knew he was the one who won the election,” he said, describing the development as “quite unfortunate.”

Musa further noted that past coups succeeded only with the backing of top military commanders, a factor completely absent in the current case.

“If you remember, during those days when they had coups, you had to have most of the big boys like the GOCs and service chiefs…You don’t have any of such. They are just very low-ranking individuals that have no access to some of these things,” he said.

“For anybody to want to truncate democracy in this disposition, I think there’s something really wrong with them.”

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BIG STORY

Public Infrastructure Vandals Should Be Shot On Sight —— Bayo Onanuga

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Bayo Onanuga, Special Adviser to the President on Information and Strategy, has called for vandals of public infrastructure to be shot on sight.

Onanuga made the statement in a post on X on Sunday, while reacting to a video showing damage to an ongoing federal road project.

“Just shoot these unconscionable vandals/thieves at sight. They are the worst species of citizenships,” he wrote.

The video showed men wearing reflective jackets, emblazoned with the crest of the federal ministry of works, narrating how vandals cut and removed starter bars, also known as shoulder rods, at the reconstruction site of the Ibadan-Ilesa/Ife federal highway.

An official in the footage said the vandals removed sections of the iron bars they could access, and cut out others entirely, despite security presence at the site.

“So what happens is that we have some people vandalising these starter bars. You can see that they are pressing in some places, but all these vandals, they cut out of it, they remove the ones they could remove,” he said.

“They cut the ones that are very solid and remove the ones they can remove entirely. These are starter bars. This is a very bad thing they are doing. These are vandals, and we have security patrols.”

The Ibadan-Ilesa/Ife highway is one of the major roads being reconstructed by the federal government.

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BIG STORY

Adron Homes Hails Ondo State at 50, Celebrates Legacy of Excellence

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The Chairman, Board of Directors, Management, and staff of Adron Group have congratulated the Government and people of Ondo State on the celebration of its 50th anniversary, describing the milestone as a significant chapter in Nigeria’s federal history and a testament to visionary leadership, resilience, and purposeful development.

In a goodwill message issued to commemorate the Golden Jubilee, Adron Group noted that since its creation in 1976, Ondo State has consistently distinguished itself as a centre of honour, intellect, and enterprise. Fondly referred to as The Sunshine State, the state has produced generations of outstanding professionals, administrators, and national leaders whose contributions continue to shape Nigeria’s socio-economic and political development.

According to the company, the strength of Ondo State lies not only in its rich cultural heritage and intellectual depth, but also in the values of integrity, diligence, and excellence that define its people. These qualities, Adron noted, have remained the bedrock of the state’s enduring relevance and national impact over the past five decades.

Adron Group further commended the state’s renewed drive in recent years towards infrastructure development, economic diversification, industrial growth, and youth empowerment, describing these initiatives as indicators of a forward-looking, inclusive development agenda anchored in sustainability and long-term prosperity.

“As a corporate organisation committed to nation-building and sustainable development, Adron Group recognises Ondo State as a strategic partner in progress,” the statement read. “We commend His Excellency, Lucky Orimisan Aiyedatiwa, Executive Governor of Ondo State, and the leadership of the state at all levels for their dedication to public service and their commitment to the advancement of the people.”

As Ondo State marks its Golden Jubilee, Adron Group joined millions of well-wishers in celebrating a legacy of excellence, strength of character, and promise, while expressing optimism that the next fifty years will usher in greater milestones in economic vitality, social advancement, innovation, and enduring peace.

The company concluded by wishing the Government and people of Ondo State continued progress and prosperity, adding that the Sunshine State remains well-positioned to shine even brighter in the years ahead.

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