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How My Label Boss ‘Mr Dilly’ Threatened To Kill Me Like Dagrin, Pulled A Gun To My Head — Singer Runtown.

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Runtown

Nigerian singer, Douglas Jack Agu, better known by his stage name as Runtown, has reacted to the ban slammed on him by a Federal High Court in Lagos, saying he intends to terminate his contract with Ericmany Entertainment record label to which he is signed.

The Enugu State-born songster who rose to fame after he collaborated with Davido to release a song produced by T-Spize titled ‘Gallardo’ in January 2014, has told his own side of the story after his record label dragged him to court.

Recall that the court banned the singer from performing at any event or any form of recording until further notice.

EricMany Entertainment had alleged that the 27-year-old rising musical artiste attended musical shows without the knowledge or approval of the record label and collects money directly for shows without the knowledge of Ericmany.

In a chat with Pulse, the singer said his will to terminate his contract was due to many breaches of the agreement, threat to life and extortion.

Runtown shared a tale of bullying, threats to life, mental torture, and extortion.

According to the singer, he had stared down the barrel of a gun pulled on him by his label boss, and have had to endure multiple verbal abuses and refusal to release his money.

He said, “I signed with EricMany in May 2014, the first one is renewable upon 48 months, and the second one is renewable upon 60 months. We started working. Before EricMany, I already did the ‘Gallardo’ video on my own, I paid N4.5 million for the video, exclusive of the money I used to push the song. You all know hw much it takes to push a song in Africa. I also did ‘Successful’, on my own.

“The first video we did together was ‘Domot’, I noticed that when money started coming in from shows, I was having a lot of bookings, and I noticed that the label started taking all the money.

“The contract stated that I get my percentage which is 35%, until when we recoup like half of what we invest in the career, then we will renegotiate the contract. I accepted and said let’s go ahead.

“We started running, we went for shows and everything, and when I requested for my 35%, problem. I never got any 35% on it. They would always say, ‘We are pushing, we need to put more stuff (money) to push. The thing went on until 2015, when I was working on my album.

“I needed to do some collaboration, like the one I did with DJ Khaled. I was in the states and out of money, I spent between $40,000 and $50,000, and that’s just the ones I can account for. I spent more than that on the collabo.

“He told me stories of how he killed people in prison, and that anyone that f*** with him, that he will kill the person. Of course, I won’t go to that kind of person’s house. What if I go there and anything happens to me?

“I said I won’t go there, that we have to come to the office the label has been borrowing in Lekki Phase 1 (Lagos). We agreed to come to the office to do the meeting.

“Then he said that it was disrespectful, that he was not going to come to the office and sit with those small boys. When he filed the injunction, that’s when I brought in my lawyer.

“I want to terminate the contract, because they have been breaching it all these times, and I don’t want to go on with it again,” ‘Gallardo’ crooner lamented.

In 2014, I went to London, and the label started calling me and saying that ‘Why didn’t I tell anyone before going to London?’ I didn’t go to London for shows or anything, I went there for vacation. When I got back, I went to Mr Dilly’s house, and he started ranting, and asking ‘Why did I travel?’ I told him that it’s just like travelling to Enugu to see my mum, that it’s just London, just like anywhere, that the contract does not state that I cannot have personal travels.

The next thing, He (Dilly) pulled out a gun, and threatened me, and said he was going to f***k me up. I felt scared and confused.

I didn’t go to London to do a show and they found out. I went there for my vacation. So the threats kept going on.

When I was about to drop the video, he called me out of the blues, that he was going to get Nicki Minaj on the album. I accepted, being that a Nicki Minaj will be good on the album. When we were in the US, he kept on calling and asking if we can get across to Minaj. He couldn’t come to the US himself because he is banned by the US Government to return to the country. He has fraud issues.

He kept on calling about the Nicki Minaj people that he is ready to play. Then he brought a contract extension for another two years stating that if he pays for the Nicki Minaj deal, then he will need a 2-year extension to recoup his investment. I wasn’t around then, so the management handed the contract to a guy we worked with, and dropped it there. Neither I nor my manager, Aneto-Okeke Bugwu, were around. He called me on the phone threatening me that if I don’t extend the contract, he will kill me, and bury my career, and that he isn’t going to release my album.

The Last Straw

Fast forward to 2016, I had a show with a brewery brand, where they paid N5 million. I had been complaining about not receiving my percentage. I had a show with the breweries, I also had a show in Trinidad and Tobago in February. I needed the money. When we got to Trinidad, I asked him for my percentage. All those shows, I funded the logistics. All through our deal, I have been funding my travel and show logistics. I told him that this is 2016 that I can no longer be working without being paid my percentage.

Before I went on the trip, we had an agreement that we were going to do the DJ Khaled music video. Due to Khaled’s pop relevance via Snapchat and his new deal with Roc Nation, his price had gone up, and they were requesting for more money. Dilly agreed that we were going to do it. When we got to Trinidad, I didn’t get my percentage money, and we flew to Miami to meet DJ Khaled. I even reached out to someone that works with Rick Ross, and they called Khaled who on loudspeaker confirmed that he was ready for the next Tuesday. We called the label, and informed them, and Dilly says that there is no money, that we should leave.

I was the one that sponsored the audio, that was contained on the album, and the same album that was selling, I was not receiving any money from the sales. I then told him that ‘If you won’t give me my percentage off everything that I was making…If he had been giving me my 35%, things like the Khaled video, I wouldn’t have bothered him. I would have funded it myself. I told him “you won’t do what the label is meant to do, and you won’t give me my percentage, what do you want me to do?’

We didn’t do the video anymore, and we returned from Miami, that was when I now sent the termination of the contract. I had already told him orally. I also sent him an email asking for my 35% on every deal we have had.

That was when we began to go back and forth, and he began to threaten me. He also said that two of his watches are worth more than that contract, that he doesn’t need the money. That he will just bury my career, and that I should be wise. He likened my case to the Late Dagrin, he said I shouldn’t allow his counterparts take over. I have email proof of everything.

When he saw that there was no way we could go forward if he didn’t give me my percentage, he then agreed to hand it over. We were going to do the ‘Lagos to Kampala’ video, I heard that there were two payments made for a show at N3.5 million, and another from digital sales for 2.7 million. I asked him for my percentage, and story entered again. That was when I got fed up with everything. I got back after the video shoot.

When I got back to Nigeria, he was trying to get everything, so a prom event payed in Port Harcourt and he gave me my percentage. There was also another show in London where he paid, and another show with a beverage brand. I only got my percentage thrice in the past two years, and that was because I used a third party to book the show and received payment. I used my manager to receive the money and split it based on the agreement. He began to make claims that my manager stole his money. If they had paid him directly, I wouldn’t have gotten my cut.

Legal Silence

Then I stopped talking to him, and he tried to get people to get me to talk to him. I told him that we should keep it on a business level, and that we should stick to the contract, and that we shouldn’t be friends. He still kept up threatening me. He then filed for an injunction, and then we also had the beverage and the prom show. I have a US tour in June, and he wrote the organizer requesting for all the money to be paid to him.

He then filed an injunction, and in it, he claims that he knows nothing about the US shows. When we had issues, and I left the house (the record label provided), he sent me a long email stating that this is the beginning of my downfall, and if I don’t talk to him, he is going to deal with me.

I never reacted violently to all his threats. Even when he told us to come to his house for a meeting, I told him no because I was scared. Because he had pulled a gun to my face in his house before. He told me stories of how killed people in prison, and that anyone that f*** with him, that he will kill the person. Of course I won’t go to that kind of person’s house. What if I go there and anything happens to me?

I said I won’t go there, that we have to come to the office the label has been borrowing in Lekki Phase 1 (Lagos). We agreed to come to the office to do the meeting. Then he said that it was disrespectful, that he was not going to come to the office and sit with those small boys. When he filed the injunction, that’s when I brought in my lawyer.

I want to terminate the contract, because they have been breaching it all these times, and I don’t want to go on with it again.

 

Source: PULSE

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BIG STORY

Dapo Opayinka: UK-Based Bilingual Nollywood Actor Bridging Cultures Through Stage And Screen

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Dapo Opayinka stands as a shining example of a UK-based bilingual Nollywood actor whose personal brand is grounded in versatility, cultural authenticity, and a deep commitment to storytelling.

Trained at the renowned London Drama School, Dapo’s career began on the theatre stage where he honed his craft under the spotlight of British-Nigerian productions.

He brought charisma and depth to his performances as Mallam Gaskiya in Ola Rotimi’s satire ‘Our Husband Has Gone Mad Again’ and as Gbonka in the Yoruba tragedy ‘The Gods Are Not to Blame’.

His role as Etieno, a Kenyan freedom fighter in Lydia Ollets’ ‘Darkest Hour to Victory’, showcased his range and ability to embody characters with historical and emotional gravity.

As a UK-based actor with deep Nigerian roots, Dapo has successfully crossed over into the dynamic world of Nollywood.

His on-screen credits include critically acclaimed titles like ‘Basira in London’ with Eniola Badmus, TY Moore’s ‘Captivated’, and popular streaming releases such as ‘My London Slaves’ and ‘Sista Sista’.

He also starred in the TV series ‘Apostle Do Good’, produced by Toyin Moore and aired on the UK’s first Black entertainment channel, Ben TV on Sky, where he played a lead supporting role that endeared him to a diverse audience.

Known for his impeccable command of both English and Yoruba, Dapo is also a charismatic Master of Ceremonies, making him the go-to host for diasporic cultural and entertainment events across Europe.

Beyond acting, Dapo is a storyteller in the truest sense; an emerging filmmaker who has produced four independent films: ‘The Actor’, ‘The Passport’, ‘Amuwa’, and ‘Apeje’.

Each of these projects reflects his vision of creating socially relevant, culturally rooted stories for global consumption. His current pre-production work on ‘The Telepath’ promises to push creative boundaries even further.

Dapo’s latest screen appearance in the forthcoming film ‘Ireke Movie’, which had a private viewing at the Cannes Film Festival, is poised to take his brand global ahead of its 25 July 2025 worldwide release.

He is not just acting in films; he is helping shape the very identity of UK-based Nollywood.

His growing reputation as a respected creative voice within the diaspora positions him as a key figure in the next generation of African cinematic storytellers abroad.

Dapo’s experience, bilingual fluency, stage presence, and production portfolio make his brand distinct and indispensable.

“As a performer and filmmaker, I believe our stories deserve the world stage. My aim is to connect the African experience with universal emotions through characters that feel real, relevant, and respected,” says Dapo Opayinka.

With a growing body of work and an unrelenting drive to elevate African voices, Dapo Opayinka is not only a UK-based bilingual Nollywood actor. He is a cultural bridge-builder, creative entrepreneur, and bold voice in the future of global African storytelling.

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BIG STORY

Governor Lucky Aiyedatiwa Endorses Laffmattazz, Says Ondo State Is Safe For Tourism And Entertainment [PHOTOS]

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The Executive Governor of Ondo State, His Excellency Lucky Aiyedatiwa has endorsed Laffmattazz with Gbenga Adeyinka and Friends.

Governor Aiyedatiwa who received Gbenga Adeyinka, the Grand Comedian of the Nigeria (GCON) on Tuesday, 3 June 2025, expressed his endorsement of the show and said the state is happy to host Laffmattazz with Gbenga Adeyinka and Friends at the FMT Events Center, Ala Quarters, Akure on Thursday, June 12.

Governor Aiyedatiwa while pulling his weight behind the comedy event, disclosed that Ondo State is a safe haven for tourism and entertainment, thereby promising to work with the organisers to reel out a successful show.

The ‘Sho Le’ crooner, Sean Tizzle will lead the repertoire of musical performances including Oyomesi, Abbey Awesome, Lekzido, Ruby, Miko Fridan and JP3PLE2.

Talented comedians on the bill are; Omobaba, Bash, Erekere, Baba Alariya, Kojah Kage, ATM, Chi Young, General Olak, Dr Spencer, Dr Arotele, MC Stylo, Taichi, Prince Phelar, Jingle, Wisdom the Mimic Guy, Honda Stevo, Odogwu, Iparipate, Emzuma and Ofak.

According to Gbenga Adeyinka, Red Carpet starts by 3 PM while the main show commences by 4 PM. “Tickets are available online at (https://www.funzweb.com/events/laff-mattazz-about-time-akure-158) and https://shorturl.at/FfVZP. Physical tickets can be purchased at Madigrazz Lounge, (Akure Mall),

Iya Saheed Alamala, Isolo Street, Akure, Madison Restaurant, Akure-Owo Road, Alagbaka and Vintage Royale, Off Airport Road, Oba Ile,” he said.

The show themed ‘About Time Tour’ is powered by FIRS, ODIRS, Omni Blu Aviation and supported by Ondo State and Eleganza Industries.

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BIG STORY

UPDATE: Portable Remanded In Kwara Prison Over Inability To Meet Stringent Bail Conditions

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Controversial singer, Okikiola Badmus, popularly known as Portable, has been remanded in the Oke Kura Correctional Centre in Ilorin, the Kwara State capital, over his inability to meet stringent bail conditions imposed by an Upper Area Court in the state.

This follows the singer’s appearance in court on Monday on the charges of defamation of character levelled against him by veteran Fuji musician, Okunola Saheed, aka Saheed Osupa.

The ‘zazoo-zeh’ crooner, however, received bail of N1 million and other stringent bail conditions, including providing two sureties in like sum.

According to the court’s directive, one of the sureties must be either the Chairman or Secretary of the Performing Musicians Association of Nigeria, while the other must be a property owner within a Government Reserved Area in Ilorin, supported by a valid Certificate of Occupancy.

Report says the case was documented under First Information Report (FIR) 117(1) CPC, and filed by the State Intelligence Department of the police following a petition dated March 21, 2025, by Osupa.

The petition said Portable made a live broadcast on Instagram, where he allegedly defamed Osupa, claiming the complainant was envious of his success and attempting to destroy his reputation.

In the video, Portable was quoted as saying, “This man dey try bring down my shine! He be like person wey dey chop snail with shell—him no get sense. Osupa carry tortoise for stomach. When Apple Music and Spotify want to drop money for me, na him remove my song from the platform, make I no see money (sic).”

Osupa maintained that Portable’s remarks were not only defamatory and damaging but also intended to incite public hatred and disturb the peace.

It was submitted to the Kwara State Police Command, and its men arrested the street-pop singer who confessed to the allegations while being interrogated.

According to a statement by the command’s spokesperson, SP Adetoun Ejire-Adeyemi, the petition accused Portable of several serious offences, including criminal defamation, threats to life, incitement, character assassination, conduct likely to cause a breach of public peace, as well as the use of abusive and offensive language.

“In view of the weight of these allegations and the supporting evidence presented, the command secured a valid arrest warrant from a Magistrate Court sitting in Ilorin.

“Acting on this warrant, operatives from the command proceeded to Abeokuta, Ogun State, on Sunday, 13th April 2025, where the suspect was apprehended at about 19:25hrs. He was immediately brought to Ilorin for further investigations.

“Upon his arrival, the suspect’s statement was taken in the presence of legal representatives from both parties,” the statement read.

However, the Investigating Police Officer, ASP Adeniyi James, confirmed that Portable was charged based on a directive from the police authorities.

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