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Risikat Adeniyi Adegeye, the wife of ace music legend King Sunny Ade is currently embroiled in a legal battle over a N45.4 million debt, being the alleged outstanding amount due on a loan facility advanced to her by Sterling Bank in 2008.

According to a report by The Lagos Times , she is in court to contest an order granted the Asset Management Company of Nigeria ( AMCON) to take temporary possession of the property which was used as collateral to secure the loan. Through her lawyers she is claiming that the ex parte application filed by AMCON and the subsequent court judgement were obtained without recourse to due process.

According to the court papers, she had sometime in 2008 secured a loan facility of N23 million from Sterling Bank which she augmented with her own funds to purchase a property valued at N33 million. The property located at Plot A2, House 3, Adonai Tekts Estate, Central Business District, Alausa Ikeja was duly bought and also served as guarantee for the loan.

In a sworn affidavit presented to the court by George Fola Adeniyi, one of Madam Risikat’s children, she averred that she had been dutifully servicing the loan since inception and had even asked her bank manager to furnish her with her loan statement of account to enable her ascertain and liquidate the balance of her loan repayment.

The plaintiff claimed that the bank never provided her with the statement, instead unilaterally passing off her debt to AMCON in 2011. She also claimed that AMCON has since then been imposing unilateral and extortionate interest on the loan balance without carrying her along. Moreover, she contended, she was not served notice when the organization filed an exparte application to take over the mortgaged property.

She therefore prayed the honourable court to set aside the February 22nd 2018 ruling which granted temporary possession of the house in contention.


UFC: Israel Adesanya Reacts To Boos After Cannonier Win



Nigeria’s Israel Adesanya has admitted that Saturday wasn’t the best performance of his career so far.

At UFC 276, Adesanya (23-1 MMA, 12-1 UFC) defeated Jared Cannonier (15-6 MMA, 8-6 UFC) by unanimous decision (49-46, 49-46, 50-45) to successfully defend the promotion’s middleweight title for the fifth time.

Despite a largely dominant performance, the lack of action drew criticism from both booing fans in the arena and commenters online. Initially disappointed, Adesanya mentally framed the performance differently and was more comfortable with it shortly after the main event’s conclusion.

“(I feel) a lot better,” Adesanya told reporters including MMA Junkie. “I’ve said this before: On my worst day, I can kill the best man. I call that suicide, on my worst day. I had an off night tonight. (Coach) Eugene (Bareman) told me, ‘The people who know you, (your) teammates, (your) family, they know you had an off night.’ And still, I f*cked him up.”

It takes two to tango and Adesanya faulted and credited both himself and Cannonier for the lack of exchanges. Adesanya has long thought Cannonier is a top-tier fighter, a hypothesis proven in his eyes at UFC 276.

“I couldn’t find my power shots, my kicks,” Adesanya said. “The initiators – the jabs and leg kicks – were working, but I was trying to find the power shots. He was adjusting well. It wasn’t just me vs. him. … His adjustments to what I was doing, I’d go ahead, I got to his body, I got to his legs. I got to his legs and he’d adjust and get away from my power. I was able to get away from his, as well.”

As for the boos, Adesanya said he wasn’t fazed by them. He pointed out many all-time great combat sports athletes have been booed, jeered, insulted, and criticized by crowds over the spans of their careers. He’s no different.

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Don’t Compare Me With Wilfred Ndidi – Mikel To Oliseh



John Obi Mikel, former Chelsea midfielder has responded to some of the harsh criticisms sent his direction by former Super Eagles manager Sunday Oliseh a fortnight ago.
Oliseh had in an interview, shaded Mikel as nothing more than a useful player who possessed no offensive qualities and was only half as good as Wilfred Ndidi as a defensive midfielder.
Augustine Eguavoen handed Mikel his Super Eagles debut in 2005, while Oliseh gave Ndidi his international bow ten years later.
Oliseh said: “He’s (Mikel’s) a player who’s done some good with Chelsea. But when you talk about playing as an offensive midfielder, he’s not an offensive midfielder.
“My man here knows I’m blunt to say certain things. Offensive midfielders have certain qualities and he doesn’t have any of them. As regards a defensive midfielder, I think he’s useful but I won’t play him. I’ll play Ndidi because a defensive midfielder’s work is you have to win balls without making fouls; you have to be very good in aerial balls. You have to have some control by helping others.”
Taking a higher moral ground, however, Mikel has refused to join issues with the former Ajax midfielder and current head coach of German fourth-tier side SV Straelen.
Mikel insists he enjoyed a solid relationship with everyone he worked with on the national team, including Sunday Oliseh.
And the 35-year-old has called on his compatriot to show others respect and not seek unnecessary attention.
“Unfortunately, it was the opposite because I have a solid relationship with the player just like others in the national team,” Mikel said.
“I read it just the same way I learnt a few days ago about my disagreement with Sunday Oliseh when he was the coach.
“All these are mere distractions and I will not want to join issues with anyone. Respect is the key rather than unnecessary attention.”
In his way of getting back at Oliseh, Mikel snubbed him when naming the managers he enjoyed playing under when with the Super Eagles.
During a decade-and-a-half-year spell wearing the colours of the three-time African champions, Mikel saw several gaffers – indigenous and foreign – take charge of the national team.
The 2012 Champions League-winning star retains fond memories of working with Samson Siasia, Gernot Rohr, and Eguavoen.
But Mikel holds in higher esteem the late Stephen Keshi, who guided the Super Eagles to their most recent triumph at the Africa Cup of Nations.
“In the national team, it’s a straightforward answer, late Stephen Okechukwu Keshi (Big Boss),” the former Trabzonspor ace replied to a question regarding the best coach in his career.
“I have not seen a man like him; he was a special person; I recalled the way he resolves problems and he was such a calm fellow with the way he dishes out instructions.
“Everything was just perfect and during the games, he knows what he was doing and we all respect him for that as a former player, captain, and manager.”
At the club level, Mikel reveals that Italian tactician Roberto Di Matteo had a more significant impact on his Chelsea career than Jose Mourinho.

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Afronation Concert: “I’ve Got Love For Burna Boy, Davido” – Wizkid



International Superstar singer, Ayo Balogun, with stage name Wizkid, has finally openly spread love towards his colleagues, Burna Boy and Davido.

He made the declaration while performing at the Afronation music festival in Portugal on Saturday night.

In viral videos making the rounds on the Internet, the Essence crooner also appreciated his fans for their support.

He said, “I want to tell you tonight, Starboy, I gat love for Burna Boy, I gat love for Davido,” he said.

Wizkid added, “And I want to thank you the fans for supporting us. We won’t be here without you guys.”

Wizkid and Burna Boy had released a song together, B’Dor, in December 2021

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However, there were speculations of a rumoured beef between Wizkid and Davido.

In January, however, Wizkid and Davido got fans and music lovers excited as the duo were pictured and videoed sharing a warm hug in a Lagos nightclub.

In the video that went viral online, Davido and Wizkid could be seen hugging each other passionately and exchanging pleasantries at the club, as fun lovers in attendance squealed in excitement.

Recall that for many years, both singers had been dogged by claims that they are not on good terms.

Meanwhile, in 2018, Wizkid had joined Davido on stage during a show headlined by the latter.

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